Selling Out

Well, I need to make extra money if I want to travel and set up my media empire over in the States. Rupert Murdoch did it, why can't I?

Got a few more interviews to put up here, including the full, unedited transcript with Andrew Craighan of My Dying Bride that chronicles the decline, a brief interregnum and rise again of one of doom metal's most prolific pioneers.

Of course, I'll be releasing older material from the archives as well as updates on my many other projects. Oh, and Easter? What's that? I saw Steve Coogan yesterday at the Forum; why they don't give him some sort of award for just being himself is beyond me.

Edguy - Jens Ludwig Interview

Here’s me thinking that a rock star never got out of bed until the clock was at least into the double digits.

“It’s 9:40 in the morning over here,” confesses Jens Ludwig, lead guitarist for Germany’s power metal darlings (or goofballs; it really depends on your point of view) Edguy. I heartily apologized for awaking him so early, but he didn’t seem to mind.

“I usually get up at eight o’clock.” Really? Is that the waking time for a rock star of such a caliber?

“It really depends, but I have a dog that really needs to go out.” Well, you can’t ignore the thunderous yelps of a caged canine for too long, can you?

Pet maintenance aside, Jens presumably beamed with pride while talking about Edguy’s new album, Tinnitus Sanctus while relaxing at home in Germany. Jens, Tobi (Tobias Sammet, lead vocalist) and co. also had a great time thrashing out the jams for this disc, with a lenient tour schedule affording them a more relaxed and comfortable experience than ever before.

“The recording went pretty smooth,” he says. “We had a big time window to record it so we didn’t record everything in, let’s say, three weeks, but over a period of two months. For example, Dirk (Sauer, guitarist) and I laid down our guitar parts in three sessions, which only took three days. But we had enough time to lay down vocal parts and additional arrangements and try out different things too [in that time]. It was all pretty relaxed, but we also focused on the more important things.”

Nevertheless, two months, let alone three weeks seem to be a pretty tight turnaround for the creation of a sterling metal album with symphonics and other flashy sonic nuggets that a discerning ear may pick up.

“Well, it depends on how much material we have,” Jens says as he gets down to explaining the finer aspects of an Edguy album recording.

“For the previous albums, Rocket Ride and Hellfire Club, we also had two EPs to produce for each album (one each), so we had sixteen to eighteen songs to record. This time we only had eleven
songs, so it was much less work. (laughs)

“But it was better to focus on these eleven songs instead of trying to get fifteen or sixteen songs done in the same amount of time, since we had so much belief in the album.”

They also hope fans to believe in the album more so than the singles since the radio and TV coverage of metal is lamentable at best, even so in the seemingly metal-mad continent of Europe as Jens explains.

“If you’re producing a single and you want to get it to the radio, it has to be played in some underground radio station or on some stations that, lets say, have the ‘metal hour’ maybe, once a month? It’s just a waste of promotion money.

“Sometimes there might be a couple of hours a week [dedicated to metal] and only the metal fans listen to it anyway, and they already know that the album’s going to be released because they are reading the magazines and all that stuff as well. You don’t reach anybody new with radio.”

It’s always been hard for metal to crack a new market in the face of such stiff competition, but Jens’ attitude gives it a positive spin; that metal fans are more appreciative of their genre due to its scarcity of mainstream attention.

“I think it’s good the way it is; it’s never been different with this kind of music. Its good for the fans of metal, since they don’t get any new material from radio or television they have to look out and they have to really pay attention for what’s going to be released, and they really look for material that they like.

“That means they’re going to be fans of your band for the future as well, not [treating your music] as just some throwaway article.”

With new albums come new tours; Jens sounded pumped to begin his eight week European tour (that just might encompass the land down under, if all goes well) that started in January.

“After we finish that European tour we’re going to start a world tour,” Jens excitedly tells me.

“We’re going to start in Russia, then take in Asia, then, hopefully go to Australia, because I would really love to come back there once again. I’ve been there twice already, and every time was so great there, so I hope that it’s going to happen this time.”

“After that we cross the date line and go to South America, and then after that we’re just going to see what’s going to happen.”

“There’s nothing confirmed yet,” he says confidently, “but be sure we’re working on that.”

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© Tom Valcanis / Crushtor Media Services, All Rights Reserved. Posted with permission.

Chimaira - Rob Arnold Interview

Here's a chat I had with Rob Arnold of Chimaira just prior to departing on their two month US tour; be sure to read Buzz Magazine next month for more Chimaira news!

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A phage is spreading across the metal realm and it about to be released by metalcore pioneers Chimaira. Their latest album, The Infection and its accompanying sensory onslaught seeks to instill a sense of dread from every direction, taking on a dirge-like quality that invokes the bleak and inevitable. However Rob Arnold, founding lead guitarist didn’t have plans for such a grandiose, conceptual piece; he tells us it “sorta just happened.”

“We go into every record saying ‘let’s see what happens when we get together and start writing,’” he straight-forwardly confesses. “That sludgier, sort of doomy more brutal sound was just what was swirling [around our heads] at the time.”

The record’s genesis began rather unceremoniously in the back of a tour bus with Mark and Rob setting up a makeshift studio during the latter stages of their Resurrection world tour.

“We set up a studio in the back lounge of the tour bus at the end of the Resurrection cycle [of tours] and we said ‘Hey, its about time we wrote a new record.’ So, on the first day we got it all together, got my guitar plugged in and the first riff played was the opening riff to the song Try to Survive. Its just got this cool groove. (starts to sing song) It’s got this cool heavy vibe to it.

“We liked it and we finished up that song that night. The other guys were popping their heads in there and saying ‘Hey, that sounds cool.’ We just knew we were on to something. It just really set the tone for the rest of the tunes.”

And they were written similarly quickly; the “first seven songs were written over the course of a month, on the rest of that tour,” Rob reveals. “The whole process probably took around three months or so.”

Even though the buzz around the record has been momentous for the band in their eleven year career, the no-nonsense Rob doesn’t seem to see it. He insists that the recording took place under routine circumstances, even enlisting former keyboardist Ben Schigel to handle the production again.

“[Ben] has been our long time friend and producer [who’s] done a bunch our stuff. We had all the songs written and we just went in and did our thing. There wasn’t anything really special about the recording.”

The Infection, when released on the 21st of April, will feature a ton of goodies and bonuses for fans; those who are lucky enough to snag the first 580 “metal briefcases” will also receive a flag, a DVD documentary and a syringe shaped USB stick with demos, pictures and other bonus tracks among other merchandise. (“We had to sign about 100 of them” Rob tells me, “we had a little assembly line going in our practice space”) Rob’s involvement was limited to playing the songs on the record and giving a final tick of approval to the finished artwork.

“Mark and Chris, our singer and keyboard play have a ton to do with that stuff. I’m the kind of guy where they make the stuff and they show it to me and then I’m like ‘Hey, that looks good.’ Those guys are heavily involved in the artwork and every concept of what goes on with each record and they work real closely with [label] Ferret Records and their team.

“They always make cool looking stuff. Its just for fans that like something a little extra special.”

Constantly on the road, Chimaira certainly aren't afraid of a little hard work with Rob describing their touring schedule as "definitely intense", especially when they've begun writing on tour.

"We're gone for the long part of the year and we don't get to spend much time at home. But that comes with the territory. We're a metal band and we have to get out there and work it. We have to rely on the word of mouth; play as many shows as you can and get as many people to see you as possible.

"In metal, you can't really rely on radio at all, so this something we know we have to do. For ten years now it's been write a record, record it, tour on it. Now, like you said, we're even writing while we're already on tour."

Despite the fatigue of the road (and sea), Rob and the crew are already psyched up to play Australia and New Zealand again.

“We had a great time last time and we’re really looking forward to coming back in [Autumn.] Our last show with Korn was in New Zealand and we’re really excited to go back.”

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© Tom Valcanis / Crushtor Media Services, All Rights Reserved. Posted with permission.