Article: Currents of History (The Big Issue)

It is easy to underestimate older people – as Tom Valcanis realised when he learned about his grandmother’s life and noticed her electrical skills.

One frosty morning when I was six, I was sitting in my grandmother’s lounge room transfixed by Agro’s Cartoon Connection. As usual, I was toasting myself against her glowing gas heater. Back then, I knew my grandmother as my Macedonian “Baba” but, apart from that, I didn’t know much about her at all. For all I knew, her life was full of cooking, cleaning and telling jokes to keep us young ones occupied when there was nothing good on TV.

Baba always wore a simple, faded floral apron and cheap, unassuming clothes no matter where she went. This day was no different.

Read the rest in issue #392 of The Big Issue, available from street vendors around the nation.

Archive Interview: Cult of Luna - Enigmatic

This interview originally appeared in Buzz Magazine, September 2008.

Johannes Persson, enigmatic guitarist for sludge/doom band Cult of Luna makes the unlikeliest of friends up in the wintry steppes of Umea, their home town. “We have made lots of friends from people in Australia. One of the bands that recorded up here, you may have heard of. We’re very good friends with the Dukes of Windsor.” I was flabbergasted. The Dukes of Windsor? From Melbourne? Persson too was taken aback. “Yeah,” he laughs. “I thought I recognized the name of [your] town. They played up here in our hometown. I was totally blown away by them. Jack, the vocalist, has a voice that could not be compared to many people on this Earth. They’re a great live band too.” A ringing endorsement from a man who lives and plays in the extreme? Priceless.


Persson is one of eight members that includes some three guitarists and two vocalists in the gargantuan line-up of Cult of Luna had humble beginnings, with most of the core group playing in a hardcore band called Eclipse. “Well we just started to write slower and slower songs…eventually the band broke up and our sound changed so much that we decided to change the name of the band.” Persson says. Persson also quite earnestly enlightenens us on how a band with eight members forms one cohesive whole in the songwriting process.

“Well, we start off with a basic idea that someone in the band has. There’s no pre-defined structure or anything like that, we just jam it out. It would be a lie to say everyone has as much to say in every song, but it’s usually I, Fredrik (guitarist) and Erik (guitarist) that writes most of the stuff, and a majority of the songs come from me, to be honest.” Persson, not shy of telling like it is, even confesses that CoL’s latest album, Eternal Kingdomhas its rough edges. “Well, some of the best songs on there is some of the best material we’ve ever [written], he explains.

“But some of the other songs could have used a few more jams in the rehearsal room before we went into the studio.” He also quashes the rumor that CoL recorded the album in a disused psychiatric ward, evoking images of a haunted menagerie of padded walls and blood-curdling screams. “Well, where we recorded was on the site of a big institution. It’s all been rebuilt now. There’s a cultural centre, music studios, etc.”

However, the use of a madman’s diary as the central theme to Eternal Kingdom is very much true, as Persson tells. “Well, a year before we started writing music, we did a T-shirt design for one of the characters, which was a hare, but with moose-horns. (laughs) - It was a hybrid kind of animal. Besides, when a story like that just falls into your lap you can’t not do anything with it. It was an interesting story and a good story.”

Persson, being the earnest and endearing musician he is also has a strong passion for raising moral and political issues through Cult of Luna. “Well, every album has to have a clear and [defined] issue running through it,” he tells me. “If you’re in a band and people listen to your music, you may as well say something important.” He even rages against the established music “machine”, critiquing the homogenization and routine dumbing down of popular music culture.

“When you pick up any music magazine it almost makes you want to poke your eyes out,” he laments. “[Musicians] sometimes get really stupid questions from journalists about the ‘sex, drugs and rock and roll’ lifestyle; it’s all uninteresting and it’s been done so many times. They ask you things like ‘what’s your quickest tap solo’ – f—k off! That kind of music journalism isn’t journalism at all. Having that said, we’re not a band that wants to point fingers and tell people what to do. But we’re also a band that doesn’t avoid controversial and important issues.”

Such as?

“Well, [for example], every time you pick up a magazine it [reinforces the] male-domination of the rock ‘n’ roll business and traditional male values. I don’t want to generalize, but a lot of the American bands have this jingoist, macho attitude. First off, it’s just plain boring; it’s veryunoriginal and just lame.


Living in a land of extremes ourselves, Cult of Luna would find themselves at home among the “cult” like following of the sludge and experimental doom movement, with Isis, Sunn O))) and Boris all touring successfully here – I ask, would Persson like to take his outfit down under? “Yes, we would love to tour Australia. We have many friends that loved touring there – in fact, every band I know that toured Australia say that it’s the best thing they’ve ever done. In that sense, we want to go to Australia as soon as possible…hopefully we’ll be there soon.”
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Reprinted with permission. All rights reserved, Crushtor Media Services Pty. Ltd.

The Facebookless Frontier, two months on

Two months ago I deactivated my Facebook account and never looked back. Last month sat from the sidelines, irritated by the routine "complainageddons" that spring from a well of minor interface changes to the free social platform/marketing exercise. People said that throwing away Facebook was akin to severing a healthy limb which had served me well and would continue to in the future. But after two months, I barely recognize that it still exists to other people. The my social world continues to turn and I've come to view this so-called "third hand" as useless as if both necrotic and lame (and selling my particulars to third parties.)

My phone hasn't been ringing off the hook with former Facebook friends wondering if I'm still alive, but the core of my friendship groups has been strengthened since I'm taking the effort to call, text or email friends instead of passively staring at an abstracted representation of them on a screen. Interestingly, I've met more people through Twitter via the Melbourne, Australia twitter meetup known as MTUB than I ever have through Facebook. I've made many new friends this way. Post-Facebook, I still keep up attendance at my interest group meetings, either through organizing them myself or attending new ones.

Thus I pondered it from a media ecological perspective, in the vein of my revered Neil Postman; just what problem did Facebook solve for me? Discovering that it caused no subsequent problems resulting from my exit, it actually spurred some solutions insofar my relationships and how I approach them is concerned.

  • New friend? Give them a text or a call: Adding them to Facebook is much like slipping a dollar bill in a wallet. People aren't trading cards to be collected and traded. If I genuinely like someone or enjoy their company, I will let them know one way or another. The experiential "addition" to one's Facebook friends list means many things to many people. There's a certain personal development "bonus" for acting as an initiator.
  • No invitation, no attendance: I've missed out on various social engagements the past two months; but if I don't know about it, I'm not there! I don't miss whatever I'm unaware of, right?
    If I'm told in person, I reserve the date and make sure I attend. There's only a "yes" or "no" option for me!
  • Less distraction: Yesterday, I went on a half-day Twitter moratorium and completed all my "to-do" tasks prior to 2pm. I interviewed broadcaster and journalist Steve Cannane for the book project, completed an article for an online mag and started work for a new client. With no "Twitter-Facebook moebius strip of distraction" for my attention to contend with, stuff gets done!
I think it's safe to declare that I won't be re-joining for good. The benefits greatly outweigh any drawbacks and my social life feels as vibrant as ever. If you're considering whether to write the final words in your 'book and put it to rest, I cannot recommend it enough!