Article: Migrant Metal (The Big Issue)


Far from being a closed-door cabal, Australia's metal scene has become a proudly multicultural subculture.

Watching a heavy metal show as an outsider is like walking into a psychotic circus that’s as bizarre as it is fun. Confronting by nature, metal is defined by its hulking, “louder than hell” guitar driven sound, occult or satanic imagery as worn by bands and their fans with a cult like devotion to the scene and its craft. Bands run the gamut from cool-headed, wispy-haired heavy rockers to leather clad black metal fanatics, brandishing fake axes, their faces greased up in white “corpsepaint.” Some frontmen (and women) growl, some sneer and some sing to ear-shattering, herniated heights.

Read the rest in The Big Issue (#398) on sale from vendors across the nation - buy a copy to help the homeless and long-term unemployed.

Interview: Zakk Wylde of Black Label Society (the AU Review)

 Sporting a bedraggled beard and fierce axe to stir the envy of Odin and his mighty sons, Zakk Wylde and his Black Label Society have knocked the paisley-mellow orthodoxy of metal virtuoso guitar on its ass; breathing nothing but fire and spittle while shredding up storms of fury throughout his colorful career. Mastering his craft since the age of fourteen, Wylde drops recondite phrases into his genre-spanning career just for kicks as enraptured, raw-throated crowds cheer on. Jetting into Australia for Soundwave, the confidante and doom-driven acolyte of Ozzy Osbourne shoots straight from the hip laying down some real talk for y’all about spirituality, strange times and the Shatner. You’d expect nothing less from the fearless leader of the famed Black Label Order, leading the wounded cult of rock n’ roll back into the darkness.

Read more at the AU Review.